Internet influence
In the early 2000s the entire music industry was shaken by claims of massive theft of music rights using file-sharing tools such as Napster, resulting in lawsuits against private file-sharers by the recording industry group the RIAA.
During much of the 2000s, rock has not featured as prominently in album sales in the US as in other countries such as the UK and Australia. By contrast to those countries, hip hop music, has dominated the US single charts, with artists such as the Game, Snoop Dogg, Kanye West, Nelly, Eminem and Jay-Z. According to a recent study by Teenage Research Unlimited, hip hop is the most popular format of music among adults from ages 18-34 in the United States. R&B acts like Mariah Carey, Usher and Alicia Keys are very popular on the pop charts, although with the exception of Carey, none of these acts, rap or R&B, sell as many albums as rock did. Nearly all of the best selling albums of all time are still rock.
The biggest factor that has affected the production and distribution of rock music is the rise of paid digital downloads in the 2000s. During the 90s, the importance of the buyable music single faded when Billboard allowed singles without buyable, album-separate versions to enter its Hot 100 chart (charting only with radio airplay). The vast majority of songs bought on paid download sites are singles bought from their albums; songs that are bought on a song-by-song basis off artist's albums are considered sales of singles, even though they have no official buyable single.
Sunday, April 27, 2008
Saturday, April 12, 2008
Nu metal and Rapcore
In the early 90s, Faith No More broke into the mainstream with their success of the single 'Epic'. This paved ways for bands like Rage Against the Machine, 311, Cypress Hill and later Limp Bizkit, Korn and Slipknot.

This brought a fresh sound by combining rap and rock with much success. Later in the decade this style, which contained a mix of grunge, metal, and hip-hop, became known as rapcore and spawned a wave of successful bands like Linkin Park and P.O.D..

Many of these bands also considered themselves a part of the similar genre nu metal.
Labels:
311,
korn,
limp bizkit,
linkin park,
P.O.D.,
rage against the machine,
rapcore,
slipknot
Friday, April 4, 2008
Success of hybrid genres
Pop punk
One result of the 70s punk explosion was pop punk. Championed by bands such as the Buzzcocks and the Ramones, the genre was never as commercially successful as the name may have suggested, but it's influence can be still be heard in many artists today; the fusion of pop melodies, rapid-fire playing of instruments, and the raw and visceral lyrics and sound of punk rock is apparent in everyone from Nirvana to Oasis.
Post-grunge

In the wake of Cobain's death a new style of music called post-grunge evolved. Similar to the relationship between pop punk and punk rock, post-grunge differed from grunge in its more radio-friendly pop-oriented sound. After Australia's Silverchair achieved international success with their debut album Frogstomp record labels began to actively search for the "next Nirvana". Former Nirvana drummer Dave Grohl's new band the Foo Fighters helped further popularize the genre, and other bands such as Bush, Creed, Collective Soul, Everclear and Live helped cement post-grunge as one of the most commercially viable sub-genres of the late nineties
Labels:
creed,
dave grohl,
frogstomp,
oasis,
silverchair,
the buzzcocks,
the ramones
Friday, March 28, 2008
Britpop
While America was full of grunge, post-grunge, and hip hop, Britain launched a 1960s revival in the mid-90s, often called Britpop, with bands like Suede, Oasis, Supergrass, The Verve, Radiohead, Pulp and Blur.

These bands drew on myriad styles from the 80s British rock underground, including twee pop, shoegazing and space rock as well as traditional British guitar influences like the Beatles and glam rock. For a time, the Oasis-Blur rivalry was similar to the Beatles-Rolling Stones rivalry, or the Nirvana-Pearl Jam rivalry in America.
While bands like Blur tended to follow on from the Small Faces and The Kinks, Oasis mixed the attitude of the Rolling Stones with the melody of the Beatles. The Verve and Radiohead took inspiration from performers like Elvis Costello, Pink Floyd and R.E.M. with their progressive rock music, manifested in Radiohead's most famous album, OK Computer.
These bands became very successful, and for a time Oasis was given the title "the biggest band in the world" thanks to an album selling some 19 million copies worldwide but slowed down after band breakups, publicity disasters in the United States and slightly less popular support.
The Verve disbanded after on-going turmoil in the band. Radiohead has gone on to make more experimental albums, thus losing some of their fan base.
Labels:
blur,
britpop,
oasis,
pulp,
radiohead,
space rock,
suede,
supergrass,
the verve,
twee pop
Tuesday, March 18, 2008
Alternative goes mainstream
By the 1990s, rock was dominated by slick and commercial glam metal, hair metal and arena rock artists. MTV had arrived and promoted this excessive focus on image and style. Disaffected by this, in the mid-1980s, bands in Washington state (particularly in the Seattle area) formed a new style of rock music which sharply contrasted the mainstream rock of the time.

The developing genre came to be known as "grunge", a term meaning "dirt" or "filth".
The term was perhaps seen as appropriate due to the dirty sound of the music and the unkempt appearance of most musicians.
Grunge fused elements of hardcore punk and heavy metal into a single sound, and made heavy use of guitar distortion, fuzz and feedback.
The lyrics were typically apathetic and angst-filled, and often concerned themes such as social alienation and entrapment. Although it was also known for its dark humor and parodies of commercial rock.
Bands such as Green River, Soundgarden, the Melvins and Skin Yard pioneered the genre, with Mudhoney becoming the most successful by the end of the decade. However grunge remained largely a local phenomenon until 1991, when Nirvana's album Nevermind broke into the mainstream.
Bands such as Green River, Soundgarden, the Melvins and Skin Yard pioneered the genre, with Mudhoney becoming the most successful by the end of the decade. However grunge remained largely a local phenomenon until 1991, when Nirvana's album Nevermind broke into the mainstream.
Pearl Jam also contributed to this with their album Ten. Both bands were more melodic than their predecessors and were instant sensations worldwide, but they refused to buy in to corporate promotion and marketing mechanisms. During 1991 and 1992, other grunge bands such as Soundgarden, Alice in Chains and Candlebox gained a wider audience. Commercial rock and metal faded almost completely from the mainstream.
Labels:
alice in chains,
candlebox,
distortion,
feedback,
fuzz,
green river,
hardcore punk,
melvins,
MTV,
nevermind,
nirvana,
skin yard,
soundgarden
Wednesday, March 12, 2008
Instrumental rock
Instrumental rock was also popularized during this period with Joe Satriani's release of Surfing with the Alien. Many guitarists, feeling constrained by the style of music performed by their respective bands, began releasing solo albums that showcased their guitar skills. Guitarists such as: Steve Vai, Paul Gilbert, Vinnie Moore, Tony MacAlpine, Eric Johnson, Yngwie Malmsteen and Steve Morse have all greatly contributed to the genre.
Alternative music and the indie movement
The term alternative music (also often known as alternative rock) was coined in the early 1980s to describe bands which didn't fit into the mainstream genres of the time. Bands dubbed "alternative" could be most any style not typically heard on the radio; however, most alternative bands were unified by their collective debt to punk. Important bands of the '80s alternative movement included R.E.M., Sonic Youth, The Smiths, Pixies, Hüsker Dü, The Cure, and countless others. Artists largely were confined to indie record labels, building an extensive underground music scene based around college radio, fanzines, touring, and word-of-mouth. Although these groups never generated spectacular album sales, they exerted a considerable influence on the generation of musicians who came of age in the 80s and ended up breaking through to mainstream success in the 1990s. Notable styles of alternative rock during the 80s include jangle pop, gothic rock, college rock, and indie rock. The next decade would see the success of grunge in the US and Britpop in the UK, bringing alternative rock into the mainstream.
Alternative music and the indie movement
The term alternative music (also often known as alternative rock) was coined in the early 1980s to describe bands which didn't fit into the mainstream genres of the time. Bands dubbed "alternative" could be most any style not typically heard on the radio; however, most alternative bands were unified by their collective debt to punk. Important bands of the '80s alternative movement included R.E.M., Sonic Youth, The Smiths, Pixies, Hüsker Dü, The Cure, and countless others. Artists largely were confined to indie record labels, building an extensive underground music scene based around college radio, fanzines, touring, and word-of-mouth. Although these groups never generated spectacular album sales, they exerted a considerable influence on the generation of musicians who came of age in the 80s and ended up breaking through to mainstream success in the 1990s. Notable styles of alternative rock during the 80s include jangle pop, gothic rock, college rock, and indie rock. The next decade would see the success of grunge in the US and Britpop in the UK, bringing alternative rock into the mainstream.
Thursday, March 6, 2008
Rock diversifies in the 1980s
In the 1980s, popular rock diversified. This period also saw the New Wave of British Heavy Metal with bands such as Iron Maiden and Def Leppard gaining popularity. The early part of the decade saw Eddie Van Halen achieve musical innovations in rock guitar, while vocalists David Lee Roth (of Van Halen) and Freddie Mercury (of Queen as he had been doing throughout the 1970s) raised the role of frontman to near performance art standards. Concurrently, pop-New Wave bands remained popular, with performers like Billy Idol and The Go-Go's gaining fame. American heartland rock gained a strong following, exemplified by Bruce Springsteen, Bob Seger, Donnie Iris, John (Cougar) Mellencamp and others. Led by the American folk singer-songwriter Paul Simon and the British former prog rock star Peter Gabriel, rock and roll fused with a variety of folk music styles from around the world; this fusion came to be known as "world music", and included fusions like aboriginal rock. Also, more extreme forms of rock music began to evolve; in the early eighties, the harsh and aggressive thrash metal attracted large underground audiences and a few bands, including Metallica and Megadeth, went on for mainstream success
Glam metal
One genre that was widely popular in the 1980s was glam metal. Taking influence from various artists such as Aerosmith, Queen, Kiss, Alice Cooper, Sweet and the New York Dolls. The earliest glam metal bands to gain notability included: Mötley Crüe, W.A.S.P., Ratt and Quiet Riot. They became known for their debauched lifestyles, teased hair and use of make-up and clothing. Their songs were bombastic and often defiantly macho, with lyrics focused on sex, drinking, drugs, and the occult.
In 1987 a second wave of glam metal acts emerged including Bon Jovi, L.A. Guns and Faster Pussycat.
Glam metal
One genre that was widely popular in the 1980s was glam metal. Taking influence from various artists such as Aerosmith, Queen, Kiss, Alice Cooper, Sweet and the New York Dolls. The earliest glam metal bands to gain notability included: Mötley Crüe, W.A.S.P., Ratt and Quiet Riot. They became known for their debauched lifestyles, teased hair and use of make-up and clothing. Their songs were bombastic and often defiantly macho, with lyrics focused on sex, drinking, drugs, and the occult.
In 1987 a second wave of glam metal acts emerged including Bon Jovi, L.A. Guns and Faster Pussycat.
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